Aided by power nerds”, he said, adding: “And now the biggest bands are charging insane ticket prices or giving away music before it can flop, in an effort to stay huge. “We are exchanging the corporate rip-off for the public one. Speaking on the subject of illegal downloading, Iggy called pirates “computer Putins” who “just wanna get rich and powerful”. But in this particular case, without the convention, maybe some people felt like they were robbed of that chance, and they have a point.” He continued: “You are giving a lot of yourself, besides the money. And they’ve got a point”, the 67-year-old said. “Part of the process when you buy something from an artist, it’s a kind of anointing, you are giving people love. “The people who don’t want the free U2 download are trying to say, don’t try to force me. Also See: 5% of iTunes Users Chose to Download U2′s Songs of Innocence of Their Own Free Will Iggy gave his thoughts on “free music in a capitalist society”, discussing both the perils of pirating music and the problems raised by promotions such as U2’s Songs of Innocence being planted in users’ iTunes libraries free of charge. Following three albums, the Stooges disbanded, but the group’s legacy grew over the next two decades, as legions of underground bands used their sludgy grind as a foundation for a variety of indie rock styles, and as Iggy Pop became a pop culture icon.The frontman delivered the fourth annual John Peel Lecture at Salford’s Radio Festival, and used his time to discuss his problems with music distribution. During the late ’60s and early ’70s, the group was an underground sensation, yet the band was too weird, too dangerous to break into the mainstream. Ron and Scott Asheton formed a ridiculously primitive rhythm section, pounding out chords with no finesse - in essence, the Stooges were the first rock & roll band completely stripped of the swinging beat that epitomized R&B and early rock & roll. Iggy Pop became notorious for performing smeared in blood or peanut butter and diving into the audience. Taking their cue from the over-amplified pounding of British blues, the primal raunch of American garage rock, and the psychedelic rock (as well as the audience-baiting) of the Doors, the Stooges were raw, immediate, and vulgar. The Stooges, however, weren’t nearly as cerebral as the Velvets. Like the Velvet Underground, the Stooges revealed the underside of sex, drugs, and rock & roll, showing all of the grime beneath the myth. During the psychedelic haze of the late ’60s, the grimy, noisy, and relentlessly bleak rock & roll of the Stooges was conspicuously out of time.
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